Roy Panton and Millie Small on Gaydisc

We started off the September 27th, 2016 Bovine Ska and Rocksteady with two sets of dazzling reggae beginning with a version to version produced by one of our favorites. Keith Hudson.   After a fun set of mento, we went into a long ska set beginning with our continued tribute to the late Prince Buster with the cut, Cincinnati Kid from 1965.  The ska set ended with a super rare cut that was also produced by Prince Buster, but performed by Lloyd Barnes in 1964 entitled, Time  Is Hard.  We then went into our spotlight of Lindon Pottinger’s Gaydisc Label.

Before Lindon Pottinger ventured into the music industry, he was an accomplished accountant and businessman. With his wife, Sonia, who would become one of the most distinguished women in the Jamaican music business, Lindon opened up a recording studio in the Pottinger home. This studio served as the center of recording for the SEP and Golden Arrow, and the label of our spotlight tonight: Gaydisc. The label started out in 1962 and was prolific until 1967, so this spotlight will contain ska, ballads, and rocksteady productions from Mr. Pottinger. We’ll start off with Al T. Joe’s “I’m On My Own”

In 1964, Lindon sold the recording equipment in his and Sonia’s home studio to Duke Reid, and in 1965, Lindon and Sonia parted ways.Despite these major changes, Lindon would continue to produce for Gaydisc. And, he would continue to manage his record pressing plant as well.

The Cables…Though the Cables formed in 1962 with Keble Drummond, Vincent Stoddard, and Elbert Stewart, they did not enter the recording studio until 1966. The first producer they visited was Lindon Pottinger, and their first single was “You Lied,” which was backed by Bobby Aitken and his band. You’ll heard The Cables’s debut single, which was released on Gaydisc.

Bovine Ska and Rocksteady 2/4/15: Bobby Aitken

Bobby Aitken photo

Our spotlight artist Bobby Aitken 

Coming to you from a frozen, snow-covered Cambridge, it’s the Bovine Ska and Rocksteady!  Wow, these last few weeks have been rough with bad weather.  We are also back this week, after missing last week’s show due to Generoso’s hospital stay.  He’s improving but that combined with the snow has made doing the show difficult but we were glad to be back.   Starting the show off this week were two sets of delicious early reggae, beginning with a massive tune from Sound Dimension, “Great Mu Gu Ra Ga” which was released on Bamboo in the UK in 1970.  Our spotlight would be on the early vocal tracks of Bobby Aitken.

Brother of the godfather of ska, Laurel Aitken, Bobby Aitken, was born in Havana in 1933 and was orphaned in Jamaica at the age of eight. As a boy, he became a mason when his uncle pulled him away from a street gang and introduced him to the masonry trade in order to survive on his own. However, music became a more reasonable means for Bobby, especially seeing that he had a natural gift for it. A precocious 11 year old Bobby built his first banjo from sardine cans and learned how to play guitar on his own. And, by his mid-20s, Bobby had built up his guitar skills and formed the Carib Beats with Charlie Organaire and a man named Morgan in late 1959/early 1960. Together, the group performed primarily calpyso with a few skas, but the trio broke up after the rest of the group did not show up for a performance at the Blue Ribbon Club in Kingston.  As a result, Bobby returned to masonry for a stint, only to make a comeback to music within a year as a solo artist with his single, Cracker’s Rush, which commented on a food shortage in Jamaica and was released in 1961 on the Blues label by Count P, an operator of a soundsystem on Spanishtown Road. We’ll began with this first solo recording of Bobby Aitken to kickoff tonight’s spotlight.

Eventually, after recording for a range of producers including Prince Buster, Coxone Dodd, Linden Pottinger, and King Edwards, Bobby Aitken formed The Carib Beats again with Charlie Organaire and Mike Williams. Other musicians including Bobby Kalphat, Vincent White, Conroy Cooper, Ansel Collins, Carlton Santa Davis, and Val Bennet would also rotate in and out of the group. The Carib Beats recorded for Joe Gibbs, Clancey Eccles, Bunny Lee, and most famously, JJ Johnson.  The second incarnation of The Carib Beats would eventually break up as Bobby decided to focus more on his faith and became who he is known as today: the Reverend Robert Simmonds.

Listen to the full program with our Bobby Aitken spotlight: HERE.

Enjoy! The archive will be available until 2/17/2015