Generoso and Lily’s Bovine Ska and Rocksteady: Jamaican Artists’ First Recordings 12-29-15

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New Years Label B

Baby I Love You by Carl Dawkins on JJ

Happy New Year Bovine Ska and Rocksteady Listeners!

Another tradition fulfilled this week as we on The Bovine Ska have produced our nineteenth New Years show where we play the first recordings of many of your favorite Jamaican artists.  In some cases, the artist was part of a vocal group and we noted this when we backtracked each cut.  Here are some of the tracks we played during this show.

  • Alton Ellis – Alton and Eddy – Muriel
    • Alton teamed up with Eddy Parkins after winning a few contests to record for Coxone Dodd. Muriel is believed to be one of Coxone’s first recordings aimed at commercial, rather than sound system release. Beyond Alton’s debut, this was a special track because it was written by Alton himself while he was worker as a laborer on a construction site. 
  • Eric Monty Morris – My Nights Are Lonely
    • After seeing some success with his performances at Vere John’s talent shows, Eric Monty Morris teamed up with his neighborhood friend Derrick Morgan to record for Simeon Smith.
  • Winston Samuels – In Jail
    • The exact history of Winston Samuels is unclear, but we do know that his first single, released on Coxone’s All Stars label was a single that had opposite but connected titles: Paradise and In Jail 
  • John Holt – I Cried A Tear
    • Before John Holt ever entered a studio, lots of folks were already talking about him. Beginning at the age of 12, Holt performed at talent shows, including the Vere John’s Opportunity Knocks Talent Show, and in total, during his competition years, won 28 awards. Given this success, it is no surprise that Holt caught the eye of Leslie Kong, who would record and release his first song, I Cried a Tear, for the Beverley’s label in 1962 
  • Bob Marley – Judge Not
    • After moving to Trenchtown and gaining more experience with the growing Kingston music scene, Bob met Jimmy Cliff and Derrick Morgan, who together in 1962 would introduce the 17 year old Marley to Leslie Kong. Kong would record and release Marley’s first song, Judge Not, with Bob under the pseudonym Bobby Martell, a stage name given to Marley by Jimmy Cliff.  
  • Desmond Dekker – Honor Your Mother and Father
    • As a young man, Desmond Dekker was a welder in Kingston. Here, he would sing with his co-workers and eventually, given his voice and talent, his co-workers convinced him to pursue a career in the recording industry. Dekker auditioned for Coxone Dodd first without success, and then traveled over to Leslie Kong, who signed him to a record deal. In 1962, Dekker’s first recording, Honor Your Mother and Father, a song Dekker wrote himself and was the one he auditioned with for Kong, was released on the Beverley’s label. 
  • Jimmy Cliff – I’m Sorry
    • Cut as a dub plate for Sir Cavalier’s sound system, Jimmy Cliff recorded I’m Sorry a little before his formative years at Leslie Kong’s Beverley’s label.  
  • Hopeton Lewis – The Regals – Shammy Back
    • As a young man, Hopeton Lewis sang at the Burnt Savannah Holiness Church, which nurtured and encouraged his talent and passion for music. Upon entering the music industry, Hopeton Lewis joined the vocal group, The Regals, who first recorded for Coxone Dodd and his Wincox label.
  • Junior Soul – Miss Kushie
    • Junior Soul, born Murvin Junior Smith, learned how to sing from the phenomenally talented Eric Monty Morris and Derrick Harriot and gained his stage name when he would perform for people with Jackson Jones. When he first decided to record, he went over to Sonia Pottinger’s Gayfeet label to record Miss Kushie in 1966.

You can listen to our full Gladdy Anderson retrospective from December 29, 2015 HERE. Subscribe to our show on Mixcloud; it’s FREE, and you’ll get an email every Tuesday when we post a new show.

Happy December!!! Please help us and spread the word and repost if you liked the show! Repost anywhere you see fit.

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Happy New Year!

Lily and Generoso

 

 

 

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Bovine Ska and Rocksteady 12/31/2014: A Show of Firsts!

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Jack Sparrow-Ice Water

Jack Sparrow’s (Leonard Dillon) First Recording

 

To celebrate the arrival of the first day of 2015, this past week’s Bovine Ska and Rocksteady featured the first recordings from some of Jamaica’s greatest artists.

Following the chronological order of each artist’s debut to the Jamaican recording industry, this New Year’s Eve show also follows the progression of movements in Jamaican music, beginning with Rhythm and Blues, then Ska, then Rocksteady.

In this special show, not only will you hear the first recordings from the legends, such as John Holt, Bob Marley, Jimmy Cliff, and Desmond Dekker, you will also hear the first tracks from BSR favorites including The Jamaicans, The Pioneers, Roman Stewart, and Nora Dean. In addition, you will also hear anecdotes about the artists and how their first recordings emerged. It was a tough show to research, but we hope that you will enjoy hearing how your favorite artists sounded when they began their music careers!

Enjoy! Happy 2015 from Lily and Generoso! May this year be a wonderful one for all!

Listen to the New Year’s Celebration Show HERE.

The archive will be available until 1/12/2015.

 

Bovine Ska and Rocksteady 10/22/14: Saying Goodbye To John Holt

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John Holt Working Kind

John Holt’s 1970 Release “Working Kind”

When I started the Bovine Ska and Rocksteady back in 1996, a show that has always focused on early Jamaican music, I knew that there would be a time when a lot of the artists that I had loved from that period would begin to pass away but I would never have imagined the occurrences that have happened these last few months.  Hopeton Lewis, Jackie Bernard, Tito Simon and now, arguably the most celebrated of that group, Sir John Holt, has passed away at the age of 69 in London.  There had been rumors of his passing since Holt had collapsed at the One Love Festival in England not too long ago but now the rumors are confirmed true.  This past week, we dedicated the entire show to John Holt, from his earliest recordings with Leslie Kong at Beverley’s, through his time as the lead singer of the hugely successful vocal group, The Paragons, and finally as an even more popular solo artist.  You will hear one of the finest voices to have ever recorded in Jamaica.

John Holt was born in Greenwich Farm, Kingston on July 11th, 1947.  At the young age of 12, Holt entered the music industry with performances at talent shows. Like so many of his peers, Holt would perform in these shows and would also eventually make multiple appearances on the (like Veer Left) Vere John’s Opportunity Knocks Talent Show. During these early competition years, Holt won a total of 28 awards. As Holt gained fame from the shows, he attracted the attention of Lesley Kong and recorded his first single for the Beverley’s label in 1962. His first recorded single is what we started off with during this John Holt memorial show.

Given the popularity of vocal groups and duos in the early 1960s in Jamaica, a very young Holt teamed up with Alton Ellis to record a duet in 1964, for Vincent Randy Chin called “Rum Bumpers,” a fun ska number about bootlegging. That same year John Holt would join what would soon become one of the most popular vocals groups in Jamaican history, The Paragons. However, he was not initially involved when the group was conceptualized at the back of the Kingston Parish Church, by Keith Anderson, better known as Bob Andy, and Tyrone Evans in the very early 1960s. Andy and Evans were members of the church and started singing as a duo on the church compound.  Bob Andy, in an interview from 2013, explained the group’s beginnings.

“There were lots of duos in the market at the time: The Blue Busters, Keith and Enid, Higgs and Wilson, Alton and Eddy, to name a few. Tyrone felt that was kind of a strong field, so we started listening to groups with more than two, like The Drifters, The Four Tops, and The Temptations. While we rehearsed and played the piano, lots of people would join in. We tried many, until we settled with Evans, Howard Barrett and myself. Then someone told us about John, who was on his way to becoming a solo artiste after winning on Vere Johns, and so we got him into the group. He fit perfectly and we continued as four until I left, and they decided they’d remain a trio,” he said.  

Andy went further, explaining that at one point the group swelled to five, with the inclusion of Junior Menz, a future lead vocalist of the Techniques and the name Pentagon was contemplated, but when Menz left, they settled with the name, Paragons. The Paragons version with Holt first cut tracks for Coxone’s Supreme label, and we played those songs first. After recording for Coxone, the Paragons traveled over to his rival, Duke Reid and cut more tracks for Treasure Isle and would see their greatest fame as a trio. In 1967, at the peak of rocksteady, The Paragons would record a few tracks for Winston Blake’s Merritone Label.

Though the Paragons officially split up in 1970 with the immigration of Tyrone Evans and Howard Barrett to America, Holt had been recording singles as a solo artist throughout the late 60s at the Paragons main label, Treasure Isle but also for his old producer, Coxsone Dodd, and young producer Bunny Lee. We’ll hear those singles next.  Holt’s popularity continued to grow in both Jamaica and in England and the demand for full length releases of his solo work grew rapidly. His first full length would come courtesy of Coxsone and the superb 1970 LP, A Love I Can Feel.   He would record his subsequent LP with Coxsone, for UK release, with it’s hit title cut, OK Fred. A follow-up record simply entitled “Holt,” produced by Bunny Lee and released on Jaguar would also prove hugely popular in England with the hit version of “Stick By Me.” Holt would also contribute vocals to a couple of brilliant songs on the seminal Prince Buster produced release featuring a young DJ named Big Youth, entitled “Chi Chi Run” in 1972.  He would then work with Harry Mudie on the lavishly produced 1972 classic, “Time Is The Master.”  Giving Holt’s vocals that string accompaniment that would become the trademark of many of his recordings, specifically aimed at the UK audiences.

Putting this show together reminded us as to how great his voice was.  John Holt will truly be missed.  R.I.P. John.

Listen to the show via the WMBR archives here: LISTEN HERE

This link will be active until 11/4/2014